Credits:

Ensemble Crematis

Description:

The four bows and 16 strings create a rich basso continuo, the gut art on the eve of Vivaldi. Corelli (1653-1713) in Rome is particularly famous as the pinnacle of this development, but in fact there were several other important centers of string art in Italy. Naples in the south, Modena and Bologna in the north (......), and Venice, which produced Vivaldi in the 18th century, were also important centers for the development of violin music throughout the 17th century. The members of Clematis, who have been revealing the hidden world of early violin music on the long-established Ricercar label, will show how rich violin music was spun in this water city, with operatic greats such as Monteverdi and Cavalli at their side, and how many instruments were used to create unique and unique works in which the sounds of multiple instruments interplay with each other. The title of the work is "Four Violins". The title of the piece is "Four Violins," which at first glance may seem like a rather unusual composition. At first glance, it seems to be a rather unusual composition, but in fact, there are surprisingly many works in the 17th century in which four violins exchange sounds equally without violas, including Gabrieli's application of the sub-chorus form (trio sonata formation x 2 parts) at the beginning of the century.Between unexpected compositions by such classic talents as Marini, Castello, and Uccellini, who played a central role in the early Baroque, and works by vocal geniuses such as Cavalli and Rossi, the virtuosity of violin music that aims to sing will surely intrigue you. The recording features a reliable lineup of musicians, including Yoann Moulin and Brice Saie on keyboards, both of whom have released solo recordings with Ricercar. Naxos Japan