Cezanne and the End of Impressionism: A Study of the Theory, Technique, and Critical Evaluation of Modern ArtDrawing on a broad foundation in the history of nineteenth century French art, Richard Shiff offers an innovative interpretation of Czanne's painting. He shows how Czanne's style met the emerging criteria of a "technique of originality" and how it satisfied critics sympathetic to symbolism as well as to impressionism. Expanding his study of the interaction of Czanne and his critics, Shiff considers the problem of modern art in general. He locates the
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Drawing on a broad foundation in the history of nineteenth-century French art, Richard Shiff offers an innovative interpretation of Cézanne's painting. He shows how Cézanne's style met the emerging criteria of a "technique of originality" and how it satisfied critics sympathetic to symbolism as well as to impressionism. Expanding his study of the interaction of Cézanne and his critics, Shiff considers the problem of modern art in general. He locates the core of modernism in a dialectic of making (technique) and finding (originality). Ultimately, Shiff provides not only clarifying accounts of impressionism and symbolism but of a modern classicism as well., ISBN13: 9780226753065 ISBN10: 0226753069 Material Type: paperback
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Cezanne and the End of Impressionism: A Study of the Theory, Technique, and Critical Evaluation of Modern Art