This typography print is quite unique, featuring one of Melissa's close-up photos of The Church at Vétheuil, an original painting by Claude Monet. Melissa wanted to study his brush strokes up close, something which is often overlooked with Impressionist art, as the pieces are best viewed from a distance to truly visualize the composition. Up close you see dots, strokes, and dabs of random color, but step back and you see how they interact and come together, and your eye fills in the details. Melissa is fascinated with how the tiny details reveal a technique that's absolutely unique to an individual artist's personality.