Digital Cinema In The Philippines (1999-2009), traces the technological shift in Philippine cinema, from celluloid to digital, by narrating the history of digital cinema in the country from 1999 to mid 2009. It investigates how digital films in the Philippines are produced, distributed, and exhibited, as well as tentatively examines Philippine digital cinemas aesthetic tendencies that emerged from the shift from celluloid to digital from making. The book also explores the notions of independence in relation to Philippine digital cinema and the Philippine film industry.

Published in 2014 by The University of the Philippines Press

300 pages